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IRINA MOSCU

MULTIDISCIPLINARY ARTIST

  • ABOUT
  • STAGE AND COSTUME DESIGN
    • The Sick ( Los Enfermos ) by Antonio Álamo
    • TEATRO LÚCIDO on the Shores of Infinity by Radu Afrim
    • Jenůfa by Leoš Janáček
    • Three Sisters by Anton Chekhov
    • Prophet Ilya by Tadeusz Słobodzianek
    • Meerkats House by David Drábek
    • Herbarium by Radu Afrim and Simona Popescu
    • Rehearsal for a Better World by Mihai Radu
    • A Child of the Flowers Tells a Story on a Blue Background by Radu Afrim
    • Journey by Moonlight by Antal Szerb
    • The Last Summer of Peace by Radu Afrim
    • The Doctor by Robert Icke 2025
    • The Doctor by Robert Icke
    • Outlier – College Algebra / Precalculus
    • Outlier – Intro to Financial Accounting
    • Prove It by Lucie Vérot
    • Magyarosaurus Dacus by Gianina Cărbunariu
    • Villa Dolorosa by Rebekka Kricheldorf
    • Pam Param by Andrea Gavriliu
    • Our Last Terminal. Platonovka by Botond Nagy & Anton Chekhov
    • MASSAGE by Radu Afrim
    • Job’s Butchery by Fausto Paravidino
    • dog with a master. dog without a master by Radu Afrim, Lia Bugnăr, Maria Manolescu, Oana Pellea, Dan Coman, Radu Tudoran
    • Incendies by Mouawad Wajdi
    • My Cold Room by Joël Pommerat
    • Fragments from Our Story by Bogdan Zamfir
    • Complexity of Belonging by Falk Richter
    • Hedda Gabler by Henrik Ibsen / 2018
    • Heart and Other Flesh Matters by Dan Coman
    • The Grand Retro Bird Hotel by Radu Afrim
    • Life on the Praça Roosevelt by Dea Loher
    • My Fair Lady by Frederick Loewe – Alan Jay Lenrner
    • SunTrack – The Lost Sound of a Sunny Town by Radu Afrim
    • All’s Good Between Us by Dorota Masłowska
    • The Retro Bird Hits the Building and Falls on the Hot Asphalt by Radu Afrim
    • Hedda Gabler by Henrik Ibsen
    • The Ritual Slaughter of Gorge Mastromas by Dennis Kelly
    • DezOrient Express by Andrea Gavriliu
    • The Green Cat by Elise Wilk
    • The Lesson by Eugene Ionesco
    • You’re an animal, Viskovitz! by Alessandro Boffa
    • Return to Elsinore / Hamlet by Kiss Csaba
    • The Blue Room by David Hare
    • The Audience / Naive, Completely Frivolous Details in the Life and Death of the Audience by Radu Afrim
    • When the Full Moon Descends Over the Vintage Store by Radu Afrim
    • Requiem by Matei Vişniec
    • Agamemnon by Rodrigo García
    • Visiting Mister Green by Jeff Baron
    • ALMAZ SS26 RUNWAY SHOW
    • BETTER – VAMA Concert
    • Vama deschide Vama
    • Hedda Gabler by Henrik Ibsen / 2020
    • In a Forest Dark and Deep by Neil LaBute
    • Iva Bittova Concert – Soundczech Festival
    • Rabenthal by Jorg Graser
    • Uppercase Print by Radu Jude / Gianina Carbunariu
    • Good Evening, Mister Wilde! by Oscar Wilde
    • Auto by Ernesto Caballero
    • Carnival Staff by Ion Luca Caragiale
  • PERFORMANCE ART
    • Visible Invisible performance by Irina Moscu
    • Artistic Rehab performance by Irina Moscu
  • THEATRE DIRECTING
    • The Sick ( Los Enfermos ) by Antonio Álamo
    • Blowing by Jeroen van den Berg
    • here. melancholia by Daniel Chirilă
    • THREE SISTERS after A.P. CHEKHOV
    • Angélica Liddell: Essay on Mutation after Alessandro Baricco
    • 4 Months, 3 Weeks and 2 Days. A sequence
    • The Titanic after Florin Lăzărescu
  • PRESS
    • “The Bunker Had Walls of Flesh” — A Review of “The Sick” by Alina Leleșcu
    • Inside “The Sick”: History, Power and Dictatorship by Mircea Morariu
    • On Concept in Art
    • CLIN D’OEIL | IRINA MOSCU: “Scenography is not something physical, it is an experience offered to the audience” by Ioan Big
    • VISIBLE / INVISIBLE review by Marina Constantinescu
    • Three Sisters after A.P. Cehov Review
    • three sisters. a talk on “why?” and “how?”. an interview by Cristina Rusiecki
    • Three sisters. An (un)usually free script after Chekhov – Interior Space Architecture / Exibition and Scenography Design Nomination
    • Irina Moscu. From empty space to idea – Igloo Magazine
    • Interview for Culture Magazine by Corina Taraș-Lungu
    • Irina Moscu, conceptualized scenography by Oltița Cîntec
  • CALENDAR
  • CONTACT
  • Menu Item
  • Menu Item
  • “The Bunker Had Walls of Flesh” — A Review of “The Sick” by Alina Leleșcu
  • Inside “The Sick”: History, Power and Dictatorship by Mircea Morariu

“The Bunker Had Walls of Flesh” — A Review of “The Sick” by Alina Leleșcu

Buncărul avea pereți de carne (ALINA LELESCU)

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  • “The Bunker Had Walls of Flesh” — A Review of “The Sick” by Alina Leleșcu
  • Inside “The Sick”: History, Power and Dictatorship by Mircea Morariu
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